約 4,808,507 件
https://w.atwiki.jp/hmiku/pages/5150.html
【登録タグ T ゆにめもP 巡音ルカ 情熱P 曲】 作詞：yucco 英語詞：ゆにめもP 作曲：ゆにめもP 編曲：情熱P 唄：巡音ルカ バイオリン：Eri 歌詞 （http //unimemo.net/sound/uniMemo_tetoteto_TheTearoftheSword_lyrics.txtより転載） I was not able to go anywhere and just stood here. （私 何処へも行けずに 佇んでいた） You and I were dancing in the distorted world with lots of lures. （仕組まれた罠と傾いた世界の中 君も私も 踊らされていた） 黒く潰れ行く世界で 私 見ていたの 君がくれたものの全て 嘘だったのかな 護りたいものが 大きすぎて 私 全て捨ててまで 愛することは出来ない Believe you, trust you 私が向ける この銀の切先 きっと君は ただ微笑ってるだけ 何も 望まないのでしょう We were in each world. （ただ私達は 私達の世界があった） We had only one difference, what to protect. （ただ護るべきものが違うだけだった） I called your name again and again though I understood my voice couldn't reach you. （何度も何度も名前を呼んだ 届かないと 知りながら） 滴る赤が冷たくても 折れることはない 君の優しさに 気付いたのは何時 その名前を知った日 君の姿は 消えていた Come over here and listen to me どうか君に 届くようにと これが夢だと もしもいうなら お願い もう醒めないでいて I believe myself, my duty. （私は信じる。これが私の使命。） You're an enemy. I must protect the nation and the people. （君は敵。護るは国と民。） I believe myself, this is right, but.. （私は信じる。これが正しいと。） why I'm shedding a tear... （でもどうして、涙が止まらないの？） Believe you, trust you 今も私は 剣を振るい続ける 君がくれたもの全て 嘘はない 君の元に行けるように You were smiling, opening your arms. （君は微笑っていた。両手を広げていた。） You snuggled me with your hands red. （最期まで抱きしめてくれた。真っ赤なその手で。） "Believe you, trust you." （「貴方を信じてください。」） The sword was shedding a tear in my tremulous hands. （震える手の中で、剣の涙が落ちていた。） コメント のびろーっ！ -- 名無しさん (2009-05-09 10 04 24) かなり良い曲。英語の歌い方もきれいで、感動したっ！ -- 名無しさん (2009-05-31 03 22 10) 泣けた。曲調で -- 名無しさん (2016-09-02 18 11 34) 名前 コメント
https://w.atwiki.jp/xbox360score/pages/1911.html
Lucha Libre AAA： Heros of the Ring 注意！北米版本体のみ起動可能ソフトです 日本版のXbox360本体では起動できません 項目数：50 総ポイント：1000 難易度：★★☆☆☆ ストーリーモードのハードがそこそこの難易度を持っている。しかし、勝つための戦い方があるためそんなに難しくはない。 オン実績があるため協力者必須。 ストーリーモードが早々に終われば15時間ほどでコンプ可能。 コントローラが２つあればラク。さらに４つあればもっとラク。 参考：360a実績ガイド http //www.xbox360achievements.org/game/lucha-libre-aaa-heroes-of-the-ring/guide/ Don t try this at home! Make a successful aerial attack from the turnbuckle. 10 He thinks he s a superhombre Make a successful aerial attack through the ropes to outside the ring. 10 A legend is born Attack Apache 10 times in Practice mode. 10 Low stakes Free yourself from a pin count having all the disadvantage in popularity. 10 Domination Execute 50 weak grapples in a match. 10 Strong as a toro Execute 10 strong grapples in a match. 10 Challenge to the death Win a 1 vs 1 match in the Pride Battle mode. 10 ¡TOMA! Y no te doy otra no más Defeat the CPU by submission in a 1 vs 1 match on normal difficulty, having dealt 100% damage. 10 What a picture! Perform a successful special grapple in any match. 10 Butter arms Execute 500 counters in any game mode. 20 Showman Perform all different taunts of the AA luchadores (Only standing taunts without weapons). 20 Dancing man Execute 4 complete taunts in a row in triple threat or fatal facing of 4. 10 Bunch of chickens! Do a simultaneous elimination of all your opponents in a triple threat or fatal facing of 4 match. 20 Raise ravens… Execute an eye poke 5 times in a row. 10 New Megachampion Defeat Konnan as La Parka in the story mode. 10 Extinct Religion Defeat Dark Scoria in the Técnicos story mode. 10 Nothing lasts forever Defeat the clowns in the Técnicos story mode. 20 Unbeaten Honor Win the Mask vs Hair match on the Técnicos story mode. 10 A real Técnico Complete the Técnicos story mode. 30 Feed that bone to another dog Defeat La Parka as Konnan in the story mode. 10 Don t cry little brother Defeat Charlie Manson in the Rudos story mode. 10 The defeated redeemer Defeat El Mesías in the Rudos story mode. 20 No dynasty is left standing Defeat Dr. Wagner Jr and Silver King in the Rudos story mode. 20 The mode Rudo of all Complete the Rudos story mode. 30 El Dorado Complete both story lines in Hard. 50 Rising star Win 5 matches in a row online using your custom luchador or luchadores. 30 You re nobody Win an online mask vs hair match. 20 Long live me! Win 5 masks vs hair matches without losing the hair or the mask of your luchador. 50 Slippery like soap Execute 50 successful counters in a match. 20 With a hand tied behind my back Win a 1 vs 2 match alone vs CPU on normal difficulty. 20 Anyone else care to join? Win a 1 vs 3 match alone vs CPU on normal difficulty. 50 Pero sigo siendo el Rey Win a king of kings tournament vs 7 CPU opponents. 20 Dirty game Hit an opponent 3 times with a weapon without being disqualified (disqualification on). 10 Left him outside! Win a match by your opponent being counted out. 10 Charismatic Keep your popularity over 3 stars for 5 minutes in a 1 vs 1 match against CPU on normal difficulty. 20 A lo mero macho Win a fatal facing of 4 match in elimination by eliminating all the 3 opponents. 20 Little ones can too Play a match with the little ones using the secret code. 10 Untouchable Win a 1 vs 1 match against the CPU without taking any damage on normal difficulty. 50 Cheering him up Make your own banner and make sure that the crowd shows it for 3 minutes. 20 Don t hit the dog Win a group match without letting your partner receive more than 20% damage. 10 Which one s the most special? Perform all the special grapples of the AAA luchadores at least once. 50 Where do you think you re going? Defeat a rudo CPU enemy in normal difficulty 1 vs 1 without letting him leave the ring. 20 I want to be a robot While in a pin, press the indicated button 12 times per second or faster. 50 Flying without a ticket Perform 10 aerial attacks through the ropes in a 1 vs 1 match agains the CPU on normal difficulty. 10 A fly hard to catch Execute the Superfly special grapple 5 times in a 1 vs 1 match against the CPU on normal difficulty. 10 That s how you dance! Win a 1 vs 2 match fighting alone with El Elegido against 2 rivals on normal difficulty. 10 秘密の実績 Freeze! Stand still for 5 minutes (submissions and pins excluded). 10 America s father in law Execute the special grapple of the Apache (classic foul). 10 El Chile más chiloso Defeat Espectro Jr. in the faces and heels story modes. 50 Espectro the king Win a king of kings championship playing with Espectro Jr. 30 まずキャラを作成する。別に設定はそんなに拘らなくてもいい。 次にバナーを作成。これも適当でいい。 これが終わったら、ストーリーモードを開始。technicosとrudosという２つの勢力があるので好きなほうで開始。難易度はノーマルでいい。 rudosだと21戦目のSilver King Dr Wagner jrの凶悪タッグと反則＆リングアウト無しで戦わなければいけなくなるため、最初はrudosでプレイしハードはtechnicosでプレイすることを推奨。 クリアしたら、次はもうひとつの勢力をハードで開始。 これもクリアしたら、あとはPRIDE BATTLE（フリー対戦モード）で残りの実績を消化する流れになる。 El Dorado ストーリーをハードでクリアする。片方の勢力だけでいい様子。 ノーマルであれ後半はCPUが対応しまくってくるので、下記のハメ勝ちすることをオススメする。 ①反則勝ち レフェリーの近くを走り回りCPUがレフェリーに誤爆攻撃をするように仕向ける。警告が出ている状態でレフェリーに攻撃を加えると反則負けになる。 CPUの数が多い場合、誰かがリング外に出ているとレフェリーがカウントを取っており動かないため誤爆させやすい。 ②リングアウト勝ち リング外で粘り相手をカウントギリギリのタイミングでダウンさせ自分はさっさとリングに戻る。 20カウント制の場合、CPUは10カウントぐらいで戻ろうとするので、そのあたりから逃げないように、投げでダウンを奪う。関節技は時間が稼げるのでオススメ。 ③ダイブハメ ごく一部に「反則無し・リグアウト無し」というご無体なステージが存在する。上記方法は使えないのでこちらで戦う。 開始したらすぐにコーナーに登る。CPUがダッシュ攻撃とか出してきてスキを見せたらダイブ。距離をとったらすぐに降りる。これを繰り返してちまちまダメージを稼ぐ。ダメージとゲージを稼いでスペシャル技で一気にしとめる。 Rising star カスタムキャラクターを使って、エキシビジョンで5連勝する。(ランクマッチ) カスタムキャラを使用するにはキャラセレ画面でYボタン You re nobody Mask VS. Hairで1勝。(ランクマッチ) Long live me! Mask VS. Hairで5連勝。(ランクマッチ) 一度負けるとそのキャラはエキシビジョンで3勝しないと参加出来なくなるので談合する場合は注意。 A legend is born プラクティスで相手役を10回攻撃する。 Domination Strong as a toro それぞれ１試合内に「RT投げ50回」「LT投げ10回」。 ２Ｐ相手にやれば問題ない。 Dancing man １試合で４種類のアピール全て出す。 Raise ravens… アパッチのRT+A投げが目潰しなので、２Ｐ相手に５回決める。 Slippery like soap ２コンを連コンにして、Ｘ連打にしておけばいい。 ２ＰのパンチをひたすらタイミングよくRBでカウンターする。 Dirty game 反則を１試合で３回する。相手は２Ｐでいい。 ２回連続で負けになるので、警告が消えるまで待つこと。 A lo mero macho 「fatal facing of 4」（1vs1vs1vs1)で相手全てを倒す。 コントローラ４つあるなら棒立ちの相手３人を蹴飛ばしてフォールする簡単な作業。 Cheering him up 作成したバナーを３分間表示させる。 バナーは画面奥中央で水着美女が持っている。 バナーを作りさえすればいずれ解除される。 I want to be a robot フォールされた際に、秒間12回の連射をする。連コンがあれば余裕。 ¡TOMA! Y no te doy otra no más ノーマル以上のＣＰＵ相手じゃないと解除できない。 ひたすら攻撃を当て続け、全身のダメージが全部（頭・胴・腕・足）真っ赤になったら関節技でギブアップさせる。 Little ones can too PRIDE BATTLEでキャラ選択時にコナミコマンド（↑↑↓↓←→←→）を入力、音声が入ったらそのまま開始。頭でっかちモードになってたら成功、実績解除。ちなみにＣＰＵ相手じゃないとできない様子。 Freeze! ２Ｐ対戦で５分間放置する。 America s father in law アパッチのスペシャル技を出す。 Pero sigo siendo el Rey Espectro the king 「king of kings」（８人トーナメント）でノーマル難易度CPU相手に優勝する。 隠しキャラのEspectro Juniorを使えば下記実績も解除される。 決勝戦はストーリー後半並みの難易度なので素直にハメてしまったほうがいい。 Charismatic ノーマル難易度のCPU相手にゲージ星３つ以上溜まっている状態を５分以上キープする。 当然ながらスペシャルを使うと星３つ未満になるので使わないこと。 Flying without a ticket ノーマル難易度のCPU相手に場外ダイブ攻撃を１試合で１０回当てる。 相手はSuperflyがやりやすい。場外でダウンを奪いすぐにもどって、ダッシュ中ロープorコーナー手前でＢ。 A fly hard to catch ノーマル難易度のCPU相手にSuperflyのスペシャル技を１試合で５回当てる。 That s how you dance! ノーマル難易度のCPU相手にEl Elegidoを使って1vs2マッチで勝利する。 Showman Which one s the most special? 全ルチャドールのアピール・スペシャル技を出す。 前提条件として全キャラ使用可能にしないといけない。 ストーリーモードを２つの勢力でクリア＋「Espectro the king」「Flying without a ticket」「A fly hard to catch」「That s how you dance!」の４実績を解除することで全員使えるようになる。 使えるようになったら地道に２Ｐ対戦で出していく。 Butter arms おそらく一番最後に残る実績。 Slippery like soap実績と同じく２Ｐ連コン相手が一番早い。
https://w.atwiki.jp/krose/pages/33.html
ユゥ どーなってる？ 朝倉 湊 ん 朝倉 湊 反論待ち 朝倉 湊 ただいま ユゥ おかえり 朝倉 湊 で 朝倉 湊 反論まだすか？ Erica 理解しかねます 朝倉 湊 どこがです？ Erica 論理が破綻してますので。。 朝倉 湊 全部現実の状況を踏まえた上でお話ししてるハズですが？ Erica 結局なにを仰りたいのか。 朝倉 湊 だーかーらー 朝倉 湊 ３回目ですが 朝倉 湊 自分と事棚にあげて人の事ばっか言うのはどーなの？と 朝倉 湊 いってるんですよ 朝倉 湊 なんで３回もｗｗｗｗ Erica こちらの行為は暴言はかれて当然のものだと。 朝倉 湊 はい Erica 私はそうはおもいません。 朝倉 湊 まぁまぁ 朝倉 湊 だったら Erica それがお答えですが？ 朝倉 湊 なぜ 朝倉 湊 現実に 朝倉 湊 暴言を吐いた人が数人もいたんですか？ 朝倉 湊 １人だけならエリカさんが言う事ももっともと思うかもですが Erica 暴言を吐くなどという行為は理解しがたいです。 朝倉 湊 何人もが吐いてるのです Erica 私なら人に暴言なんて吐きませんので。 朝倉 湊 すなわち暴言に値する行為だ 朝倉 湊 といってるんです 朝倉 湊 それはエリカさん個人の主観１００％でしょう 朝倉 湊 こっちは現実の状況で言ってるんです 朝倉 湊 理論が破綻してるのはアナタですよ 朝倉 湊 Ｅｒｖさん Erverta=Thir=Noiarzehhe はい。 朝倉 湊 申し訳ないですが Erica 暴言を吐く行為は極めて非常識だと理解していますが。 朝倉 湊 今のを聞いてどう思いましたか？ 朝倉 湊 エリカさんが理解してても Erverta=Thir=Noiarzehhe すいません、途中からなので破綻しているという部分が見えてないです…。 Mercurius えりかかわいそうに 朝倉 湊 それがみんなじゃないって事ですｗｗ †沙夜† かわいそうに； 朝倉 湊 オレは現実を言ってエリカさんは自分の主観を言ってたら 朝倉 湊 そりゃぁ変なのはそっちになりますよ NIKKA えーっと ごめん 朝倉 湊 うｎ NIKKA 話はいっていいかな？ 朝倉 湊 どぞ NIKKA まぁ 俺はぶっちゃけリディアギルドメンバじゃない第3者なき分なんだが NIKKA その観点から意見いいかな？ 朝倉 湊 ういうい NIKKA ぇーっと まず朝倉さん NIKKA ちょっと クールになってほしい 朝倉 湊 うｎ 朝倉 湊 冷静ですよｗｗ 朝倉 湊 熱はさめてるｗ NIKKA いやいや NIKKA まず 暴言のでるでないだけど NIKKA このPvルームって一つしかないじゃない？ NIKKA 本鯖なら無差別とLvとで分かれてるし NIKKA 町でも分かれてるから ずらしやすいけど Erverta=Thir=Noiarzehhe ちなみに、僕がPvの一位になってから2時間が経過です(´･ω･`) NIKKA まぁ こんかい 我らって2次会の NIKKA 身内対戦ではいったわけじゃない？ NIKKA でも バラギルドの方々は NIKKA そのはいっていくわれわれをみて NIKKA Pvをしようとおもってはいってきた 朝倉 湊 あー 朝倉 湊 それはそう NIKKA まず そこは そういう考えでいいですか？ 朝倉 湊 うｎ 朝倉 湊 で 朝倉 湊 オレはそれをふまえて NIKKA Ericaさんも問題なし？ 朝倉 湊 あれ NIKKA おっつ 飲み物でのとっていってるかな？ Erica 私はしらないですが； 人がいるからぎるめん入ったと思いますよ NIKKA なるほど Erica 私個人は 朝倉 湊 ふｍ Erica PTメンバが入ってるから Erica きました Erica みんなが移動してるときは台所でした； NIKKA んじゃ 話をすすめて 朝倉 湊 うｎ NIKKA まず問題点 NIKKA われわれの溜まり場ポイントと バラギルドの溜まり場がちかかった NIKKA まあ今回一番の原因なのかな？ 朝倉 湊 まって 朝倉 湊 いいかな？ NIKKA うい 朝倉 湊 腹を立てたのはそこじゃない 朝倉 湊 だから 朝倉 湊 大した問題じゃなす 朝倉 湊 オレらも NIKKA うん 朝倉 湊 最初にどいてくれってはいわなかったし NIKKA そだね 朝倉 湊 近いのは問題なすです NIKKA ほう 朝倉 湊 まぁ 朝倉 湊 正直内心は 朝倉 湊 どっか移ってくんねーかなぁ～とは思ってたけど NIKKA うん NIKKA んで そのまま場は進んだわけだ 朝倉 湊 それはオレはオープンで言ったワケじゃないので 朝倉 湊 うｎ 朝倉 湊 で 朝倉 湊 単純に 朝倉 湊 問題点言っていい？ NIKKA どぞ NIKKA それは ききたい 朝倉 湊 バラＧは 朝倉 湊 こちらの承諾なく襲い掛かってきたわけで NIKKA なるほど 朝倉 湊 それがコチラの暴言を 朝倉 湊 引き出す 朝倉 湊 キッカケになったんじゃないか？ 朝倉 湊 とオレは言っている NIKKA んー それは 朝倉 湊 そして 朝倉 湊 まぁ聞いて NIKKA はい NIKKA ごめごめ 朝倉 湊 それで暴言言ったのが仮にオレ1人だったらさ 朝倉 湊 オレの認識違いでしたすみません 朝倉 湊 で終わるんですが 朝倉 湊 実際言った人は 朝倉 湊 何人もいるワケ Erverta=Thir=Noiarzehhe いましたねぇ 朝倉 湊 で NIKKA うん Riseld なぁ 朝倉 湊 エリカさんの自分の中の意見らしぃけど Riseld あまりに話が通じなくて 朝倉 湊 ＰＶは Riseld 泣き出したわ 朝倉 湊 え？ 朝倉 湊 通じるように話してるじゃん Riseld 何語？ NIKKA いや ちょっとまって NIKKA そういう挑発も今は謹んでほしいです Riseld うるせえマジでないてんだよ 朝倉 湊 つかあおんないで？ NIKKA つづけて 朝倉 湊 で 朝倉 湊 ああ 朝倉 湊 主観的には 朝倉 湊 ＰＶは Erverta=Thir=Noiarzehhe ちょっと落ちたらいかがでしょう…。ダメなんですか？ NIKKA うん 朝倉 湊 そーゆーもんであるため Riseld 話しにならん 朝倉 湊 暴言を吐かれるのはありえないから 朝倉 湊 暴言の原因は 朝倉 湊 攻撃じゃないと 朝倉 湊 言うわけだ 朝倉 湊 だから 朝倉 湊 んじゃ NIKKA おけ 話はわかった 朝倉 湊 うｎ NIKKA んじゃ おれから言わせてもらうと 朝倉 湊 ふｍ NIKKA それは主観と主観のぶつかりあいに過ぎない 朝倉 湊 たんま NIKKA そして 折れないようじゃ この話も終わらない Erverta=Thir=Noiarzehhe たんま早いですね…ｗ 朝倉 湊 主観といいますが NIKKA と 第三者のおれはおもう Riseld これいつおわんの 朝倉 湊 暴言排他の 朝倉 湊 はいたのｗｗ 朝倉 湊 オレだけじゃないってことは Riseld 女一人にゃ重いぞこれ NIKKA そこだよ 朝倉 湊 オレだけの主観じゃないはず Riseld あいてが相手だ 朝倉 湊 で Erverta=Thir=Noiarzehhe ほんとに…。 NIKKA 俺は 朝倉 湊 続きがあるんです NIKKA ぇ NIKKA つづき？ 朝倉 湊 うｎ 朝倉 湊 まぁ聞いてｗｗ 朝倉 湊 で 朝倉 湊 もしね 朝倉 湊 こっちは絡む気なかったワケだから 朝倉 湊 バラがその自分らの主観で行動して攻撃しなかったら 朝倉 湊 みんな嫌な思いはしなかった 朝倉 湊 しかし NIKKA いやー・・・それは朝倉さん 押し問答だよ 朝倉 湊 こっちの 朝倉 湊 主観では †沙夜† これはひどい 朝倉 湊 別に何事もおこらんわけで 朝倉 湊 問題は結果じゃないけどね 朝倉 湊 そっちの主観で 朝倉 湊 こっちまで巻き込むな 朝倉 湊 って事よ NIKKA それは 朝倉 湊 違う？ NIKKA 自分の主張をいいすぎだよ NIKKA まぁ本鯖でも同じ問題はいくらか起こってるけど Riseld 中立がいるおかげで話はマシか 朝倉 湊 だって実際それで迷惑こうむってる現実があるわけだ NIKKA いや まず Erverta=Thir=Noiarzehhe あの方は、話が分かる方でした。 Riseld みたいだね 朝倉 湊 理想論とか感情論じゃなく現実ですよ NIKKA ここはPvPの広場 †沙夜† このLKがひどすぎ NIKKA で ここの大前提は人対人が行えるばしょ 朝倉 湊 うｎ 朝倉 湊 ですよ NIKKA そういうところに足をふみいれているいじょう NIKKA 急な攻撃をしたからって 朝倉 湊 ああ NIKKA 暴言はかれる対象にはならないよ 朝倉 湊 ＮＩＫＫＡさんいないっけ？ Riseld 次は何だ 朝倉 湊 これから攻撃します 朝倉 湊 は言われてるからこそ 朝倉 湊 承諾してない NIKKA 否定は？ 朝倉 湊 ってゆってんですよ？ 朝倉 湊 オレはした 朝倉 湊 首はフッタはず 朝倉 湊 って NIKKA またわかりずらい・・・ 朝倉 湊 こっちはこっちで NIKKA そこはちゃんと発言しないと 朝倉 湊 話ししてんだから NIKKA この人数じゃ見逃しちゃうよ 朝倉 湊 エモになっちゃったワケですがね NIKKA それじゃわからないよ Riseld それさ、PT茶G茶への反応になると思えないかな？？？ 朝倉 湊 ん？ 朝倉 湊 のエモ？ Riseld 今その話だよね。 朝倉 湊 うｎ 朝倉 湊 そうだね NIKKA この人数がいて 朝倉 湊 でも誰も了解してなくても攻撃するってことはさ 朝倉 湊 じゃぁなんで確認してきたの？ 朝倉 湊 ってならないかな？ NIKKA それは向こうも躊躇していたと NIKKA 話を聞いているよ 朝倉 湊 オレは聞いてないな NIKKA 実際 臨戦態勢一回スルーしてるし Mercurius もっとスッキリ爽快にやるべきだったな NIKKA それに Mercurius 次からはがんばりましょう NIKKA こちらも臨戦態勢敷いたら NIKKA 宣戦布告も同じだよ 朝倉 湊 ねぇ 朝倉 湊 臨戦態勢 朝倉 湊 しいてないと思うけど～ NIKKA あんだけPT組み込んで 朝倉 湊 まぁ 朝倉 湊 ああ 朝倉 湊 それは 朝倉 湊 自衛のためでしょ？ NIKKA あれはしてないのか・・・ NIKKA まぁそこで一言 NIKKA 身内PvPだから 朝倉 湊 んじゃさ NIKKA ということを告げなかった部分では 朝倉 湊 なんで NIKKA こちらにも日があると思うよ 朝倉 湊 現実にあんなにキレかかってる人がいっぱいになったワケ？ 朝倉 湊 これは 朝倉 湊 現実だよね・ 朝倉 湊 ？ NIKKA 皆身内PvP目当てだったっしょ Riseld もう1時半だぞ NIKKA そこを邪魔された NIKKA かといってPvPで宣戦布告なしでの攻撃を禁止する NIKKA という項目はなかったと思うよ 朝倉 湊 規約より大事なモノあるでしょう？ 朝倉 湊 っていったんだけどな 朝倉 湊 相手も人だぜ？ NIKKA まぁ そこが本鯖でも問題になってるんだけどさ NIKKA でも 朝倉 湊 でだいたいさ NIKKA 俺みたいな考えもいるんだよ 朝倉 湊 摩り替えるツモリじゃないけどさ 朝倉 湊 こーやって話してて 朝倉 湊 ずっとダンマリであｆｋみたいなエリカさんはどーなわけさ Erverta=Thir=Noiarzehhe だから泣いてるんですって… 朝倉 湊 こーゆー態度が何より腹たつわ NIKKA いや いまは俺と話してくれよ Fastn 朝倉さんはどうしてほしいの？どうされたいの？求めてる結果はなに？ Erica 充分こちらの考えはお話したと思いますが。 朝倉 湊 お話ししたからって＠はシカト？ Erica 会話ログどこかにUPして皆さんに見ていただいても結構です。 朝倉 湊 泣けばいいなんて思ってんなよ Riseld え 朝倉 湊 そーゆーのムカつくんだって Erverta=Thir=Noiarzehhe すいません、ちょっといいですか。 Riseld 自分の主張押し付けてばっかでいい加減にしない？ Riseld ふざけるのもたいがいにしたほうがいいよ？ Riseld 人の話ちゃんと聞ける？ Erverta=Thir=Noiarzehhe どうしたいんですか？っていうのの返答が聞きたいんですが。 朝倉 湊 んじゃそっちも理にかなった主張してみなよ Riseld してるでしょさっきから 朝倉 湊 理にかなってないエリカさんの主観の主張ならいっぱい聞いてるけどね Riseld その言葉返すぜ Fastn ねぇ俺の質問に答えてください 朝倉 湊 現実からは眼そらしてんじゃん Riseld ここ Riseld Pv Riseld おｋ？ NIKKA あーーーーーー 朝倉 湊 だからね NIKKA ちょっとまって！！！！！！！！！！！ Riseld 今は Riseld ジャストンの話にしよう 朝倉 湊 ん？ NIKKA 話が交錯してる！！！！！！！！！！！ 朝倉 湊 だな ゴッドスイセイ 無限るーぷ・・・ Riseld また泣き出した NIKKA まず！ Mercurius やめてえええ Riseld もうすぐ吐くかもしれん NIKKA エリカさんの主観云々はぬきにして！ NIKKA それがバラギルドマスターとしての主張！ Erverta=Thir=Noiarzehhe ちょっと、離れて慰めてあげてくだされ(´･ω･`) コウ 他人の意見に耳を貸すという事を知らんのかこのLKは NIKKA で NIKKA 朝倉さんは結果どうしてほしい？ 朝倉 湊 ああ NIKKA その答えじゃ足りないから NIKKA まだ聞いてるの？ 朝倉 湊 エリカさんに何を望んでこんな話ししてるか？って事でいいのかな？ NIKKA はい 朝倉 湊 うい 朝倉 湊 んと 朝倉 湊 暴言どーこーはこっちは認めてるし、そんでＢＡＮでもいいってはゆったよね 朝倉 湊 でも NIKKA そなの？ まあ つづけて 朝倉 湊 自分の事棚にあげて人の事グチグチといわないでほしいし 朝倉 湊 そこは 朝倉 湊 認めてほしいね 朝倉 湊 まるで 朝倉 湊 自分らに非はない 朝倉 湊 みたいに言うけど 朝倉 湊 認めるトコは認めてほしいです NIKKA なるほど NIKKA んー エリカさんは NIKKA 対話可能状態？ Riseld 微妙 NIKKA うい Erica 何度も申し上げましたが Erica PvとはPvをする場だと思っておりますので Erica 入ったらそこは Erica いつ攻撃されても、文句言えないエリアだと思っています 朝倉 湊 いいかな？ Erica ですが NIKKA 全部おわるまでまって 朝倉 湊 うい Erica これはユゥさんともお話しましたが Erica たとえば Erica ギルドイベントがあるなどという情報が入った場合は Erica それは理解します 朝倉 湊 で 朝倉 湊 いいのかな？ Erica そういう情報がない以上 Erica このエリアで攻撃するのは至極当然のことだと思いますし Erica 攻撃されたからといって「しねよ」等の暴言を吐くことは Erica 極めて非常識な行為だと思います。 Erica これが何度も申し上げた、私の考えです。 朝倉 湊 うｎ 朝倉 湊 で NIKKA 了解です 朝倉 湊 その考えに沿って動いた結果トラブルになったのも事実ですよね？ 朝倉 湊 だったら 朝倉 湊 それは認めて Riseld 暴言を許せと？ 朝倉 湊 直すべき事じゃないんですか？ 朝倉 湊 暴言は 朝倉 湊 こちらでも認めてると Riseld 認めるとかじゃないでしょ 朝倉 湊 最初から言ってるハズですが？ 朝倉 湊 で 朝倉 湊 その前に 朝倉 湊 今エリカさんに問いを投げかけたんですが・・ Erverta=Thir=Noiarzehhe さっき、バラは、うちのこととは限らないとかおっしゃってませんでした…？ Riseld 最初うちのギルドに対して言ったとは限らんだろつったでしょ？＾＾ 朝倉 湊 うｎ 朝倉 湊 何人もあそこで言ってるわけだから 朝倉 湊 そーゆー人もいるかもって言ったといっておいたハズ 朝倉 湊 それは 朝倉 湊 エリカさんも納得してましたが？ 朝倉 湊 いじょ 朝倉 湊 で Erica 私達の行動は、暴言を吐かれて当然だと仰いましたが 朝倉 湊 うｎ Erica 私はそうは思いません。それで平行線です。 朝倉 湊 だって 朝倉 湊 実際吐かれてるんだから Riseld 人として規約を守るのが普通じゃない？？？ 朝倉 湊 エリカさんがどー思ってようと Riseld 暴言はくのは普通？ Erica 吐くことがおかしいといってるんです。 朝倉 湊 うｎ NIKKA あーっと ここですとっぷ！ 朝倉 湊 だから 朝倉 湊 ＢＡＮでもいいてｗｗｗ 朝倉 湊 ゆってんじゃんｗ
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ザ・キング・オブ・ファイターズ98 アルティメット・マッチ 機種：AC,PS2,XBLA 作曲者：麻中秀樹(新規曲)、SNK新世界楽曲雑技団(既存曲) 発売元：SNKプレイモア 発売年：2008 概要 『KOF98』のリメイク作。 キャラが大幅に追加されたが、BGMは全曲一新された『KOF2002UM』に比べ、こちらはデモシーンやスタッフロールなどの曲以外は全て過去作の使いまわしである。 ただ過去のKOFシリーズだけでなく、餓狼伝説シリーズ、龍虎の拳シリーズなどの曲も使われており、 サントラはSNKの格闘ゲームBGMのベスト盤という見方もできるので、ファンならば買ってお得かもしれない。 収録曲 ボールドで表記された曲は新規曲。 曲名 作・編曲者 補足 順位 Disc 1 CIPHER 08 タイトルデモ CIPHER 08 β タイトル画面 HTP 操作説明 The King Of Fighters 2 プレイヤーセレクト Next STAGE 次ステージ表示デモ ESAKA? 主人公チーム「京/紅丸/大門」 Victor s voice 勝利デモ クリキントン～ごまめギターVer～ 餓狼伝説チーム「テリー/アンディ/ジョー」 Art Of Fight 龍虎の拳チーム「リョウ/ロバート/ユリ」 Rumbling on the city 怒チーム「レオナ/ラルフ/クラーク」 震！戦慄のドラ サイコソルジャーチーム「アテナ/ケンスウ/チン」 Fairy 女性格闘チーム「ちづる/舞/キング」 チョイ・ボンゲ音頭 チョイ・ボンゲ登場 Soul Town キムチーム「キム/チャン/チョイ」 Bloody オロチチーム「社/シェルミー/クリス」 HCNC 乱入デモ 怒濤のセレクト 2 乱入プレイヤーセレクト 嵐のサキソフォン2 八神チーム「庵/バイス/マチュア」 IN SPITE OF ONE S AGE おやじチーム「ハイデルン/タクマ/柴舟」 SLUM No.5 アメリカンスポーツチーム「ヘビィ･Ｄ!/ラッキー/ブライアン」 C62 山崎竜二 Blue Mary s BLUES ブルー・マリー LONDON MARCH ビリー・カーン 嵐のサキソフォン 八神庵 Still Green 矢吹真吾 Footprint 中間デモ The ЯR ルガール・バーンシュタイン ESAKA 草薙京 ね！ 94女性格闘家チーム「キング/不知火舞/ユリ」 ESAKA FOREVER 草薙京 VS 八神庵 COOL JAM 八神庵 VS 草薙京 Disc 2 ギースに肩こり ギース・ハワード レクイエム ニ短調 K.626 ディエス・イレ ヴォルフガング・クラウザー Dust man Mr.Big 血 血の暴走乱入デモ CONTROL CRISIS 暴走庵/暴走レオナ hythmic Hallucination 乾いた大地の社 FANATIC WALTZ 荒れ狂う稲光のシェルミー MAD FANTAZY 炎のさだめのクリス The Origin of Mind オロチ 忍の道 如月影二 ART OF FIGHT 藤堂香澄 FUNKY ESAKA 裏草薙京/紅丸/大門 One More コンティニュー CS コンティニューサービス CLUB-M ～青空にフルート～ 裏餓狼伝説チーム「裏テリー/裏アンディ/裏ジョー」 Get n Up 96女性格闘家チーム「キング/不知火舞/藤堂香澄」 龍虎の変 旧龍虎の拳チーム「リョウ/ロバート/タクマ」 かみきり虫 裏龍虎の拳チーム「裏リョウ/裏ロバート/裏ユリ」 DESERT REQUIEM 旧怒チーム「ラルフ/クラーク/ハイデルン」 ダイエット 裏ユリ C62-シロクニ- 裏山崎 Ranking ランキング表示 Kiss Me? 裏ブルーマリー N.D.R 裏ビリー まいまいきゅーん 裏舞 地を這うベース 裏キング ギースにしょうゆ 裏ギース サイコソルジャー REMIX 96 アテナ(単体) Big Boss ボス登場デモ TRASH HEAD 吹き荒ぶ風のゲーニッツ XXX オメガルガール Music of praise スタッフロール サウンドトラック THE KING OF FIGHTERS 98 ULTIMATE MATCH オリジナルサウンドトラック PV
https://w.atwiki.jp/vocaloidenglishlyric/pages/325.html
【Tags H Hitoshizuku-P Rin Yamasankaku tP tT Len】 Original Music Title 光と影の楽園 English music title Paradise of Light and Shadow Romaji music title Hikari to Kage no Rakuen Music Lyrics written, Voice edited by ひとしずくP(Hitoshizuku-P) Music arranged by ひとしずくP(Hitoshizuku-P) やま△(Yamasankaku) Singers 鏡音リン (Kagamine Rin), 鏡音レン (Kagamine Len) This song is the second chapter of Synchronicity series. Click here for the original Japanese Lyrics English Lyrics (translated by motokokusanagi2009)： [Rin] At the end of the artificial paradise Deep, deep in the bottom of the earth I am fated to sing prayers All alone From the past that had nowhere to go I weave voices going round and round At the edge of the repeating history I dedicate myself to the fate Not knowing anything, I ve been continuously singing For the whole of my life A song for the sun, a song for rain A gentle requiem At the end of the road to the paradise Warm hands were offered But couldn t reach me [Miku] Sing forever... [Rin] At the distorted bottom of the dying world I am fated to sing prayers With the gentle voices sleeping in the forgotten past As I change my despair to a smile I sink to the bottom of tears [Len] At the end of the desperate paradise I seek the lost voice I am fated to wander From street to street, further and further away In the shadow of the closed history I long for the stolen days The voice that echoes in the depth of my heart is agonized by suffering My wish doesn t reach to the everlasting paradise It is distorted with voices and keep vanishing away I wanna make sure the sound of your warmth with my hands, Not hesitating to get hurt [Rin][Len] I will fight... I ll take the life of the roaring voice Let it write and sleep to the end of the world If I can t reach you after dissolving light, Then I ll just finish off this artificial paradise With my own hands Please sing... I pray to protect for the bright world Where everyone can smile (I fight to to put an end I saw you crying alone) A song of hope of light to tomorrow Giving my life to it, I sing vigorously Let my voice float with wind till I die... (A song of despair of shadow to bury the past Your existance stolen from me, your voice ceases A sink for the never-ending rain till I die...) [Rin] All voices encounter light and lead to shadow As the repeating history... [Len] The thumping sound of the infinite world resounds To declare the end All lives end and grow back [Rin][Len] Again in paradise of light and shadow Let my wish reach there... Romaji lyrics (transliterated by motokokusanagi2009)： kyozō no rakuen no hate no fukai fukai daichi no soko de tada hitori inori no uta o utai tsuzuru sadame yukiba o nakushita kako kara meguri tsuzukeru koe o tsunagi kuri kaesu rekishi no fuchi de sadame ni mi o sasagu nani mo shirazu tada uta dake tsumuide ikite kita hare no uta o ame no uta o yasashī requiem o rakuen eto tsuzuku michi no saki ni sashi nobe rareta atatakai te sae todokazu ni towa ni utai tsuzuke nasai... horobu sekai no yugami no soko de inori no uta o kanaderu sadame wasu rareshi kako ni nemuru yasashī koe ni zetsubō sae mo hohoemi ni kae namida no soko ni shizunde iku zetsubō no rakuen no hate ni nakushita koe o sagashi motome michi naki michi o tada tōku samayoi yuku sadame toza sareta rekishi no kage ni ubawa reshi hi o omoi nagara kokoro no oku hibiku koe wa kutsū ni mi modaeru towa ni tsuzuku rakuen eto negai wa todokazu ni tada yugande koe to tomo ni kie satte meguru dake ima kono te de tashikame tai kimi no nukumori no oto kizu tsuku koto sae itowazu ni watashi wa tatakau (ore wa tatakau) araburu koe no tamashī o ubai kono yo no hate made tsuzutte nemure kono hikari o tokasi temo todokanu nara itsuwari no rakuen o kono te de owaraseru dake utatte... watashi wa inoru mamoru tame ni egao ga kobore hikari sasu sekai no tame ni (ore wa tatakau kowasu tame ni kimi wa naiteta tada hitori de) asu eto tsunagu hikari no kibō nouta inochi o atae ibuki koe o atarashī kaze ni nose inochi tsukiru made... (kako o hōmuru kage no zetsubō no uta inochi o ubai owari no koe yama nai ame ni nagashi inochi tsukiru made...) mata meguru subete no koe wa hikari to deai kage eto tsunagu kuri kaesu rekishi to narite meguru sekai no kodō no oto wa owari o tsugeru kane to nari hibiku subete no inochi wa tae atarashī me ga ibuku saki no hikari to kage no rakuen ni negai o... [Hitoshizuku-P, HitoshizukuP, Yamasankaku]
https://w.atwiki.jp/hmiku/pages/40473.html
【検索用 TheDistortionist 登録タグ 2018年 GHOST/作り手 T Yohioloid YouTubeテンミリオン達成曲 YouTubeミリオン達成曲 ニコニコ外公開曲 曲 曲英】 + 目次 目次 曲紹介 歌詞 コメント 作詞：GHOST 作曲：GHOST 編曲：GHOST 唄：Yohioloid 曲紹介 曲名：『The Distortionist』 GHOST氏によるYOHIOloid作品。 タイトルを和訳すると｢歪曲家｣。 MV内に出てくる男性の名前はChristopher Pierre 曲半ばでうっすら聞こえてくるのはGHOST氏がWikipedia"Reflection (physics)"を読み上げている声である。 終盤にある一部分は逆再生となっており、字幕を逆から読むと文章になる。 + 倒語 原文 和訳 Exactly how the story gose まさしくどのように話は進行するのか Bending light in a way that shows 屈折した光によって姿を映す And leaving me a fuckin’ mess 私を厄介者にしておいて You’re making a wreck of broken glass 貴方は壊れたガラスの残骸を作っている 歌詞 （本人公開のGoogle Documentより転載） （″You′d best stay away from them.″） （″They′ve hurt me badly…″） （″One could even say they′re abusive.″） （″I hate them.″） （″Care to join me?″） Something doesn't quite line up. Tears laced with cyanide flow through the cracks of a Mirror shattered long ago And, sure, I’m the one who swung the metal bat But, hey, I can’t control the urge! Nobody’s gonna blame me for that Impossible, impossible Twist ‘n turn it right around The details never safe or sound The truth projected through a lense With nothing proving otherwise Now take the time to realize Despite what you believe The victim of a massacre Was none other than poor me Surely you can see the problem I don’t wanna lose my own reflection A deplorable perception of me Was none other than an image of you You’re making a wreck of broken glass And leaving me a fuckin’ mess Bending light in a way that shows Exactly how the story goes Whimsical, dear, your lies are clear Now who the hell would’ve ever guessed? Play my games and abide my ways There’s no way you can compensate A monster, monster, monster, monster Now run away, run away, run away I’m a monster, monster, monster, monster Now run away, run away, run away Now you’re the monster A glimmer of betrayal changes my mind The odds against your favor Forever Ignorant atrocities and Colorless apologies This isn’t what it looks to be I’m not as cruel as you see me Take the time to realize Despite what you may see The mirrors cracked themselves And I was cut on the broken shards And how I bled Stuck in a spotlight brighter than The smile no one ever saw Bending light in a way that shows The truth that left our friends in awe Whimsical, dear, your lies are clear Now who the hell would’ve ever guessed? Play my games and abide my ways There’s no way you can compensate Madness, it’s madness Oh, it’s sickening It’s sickening You know It’s unfair, it’s unfair How you distorted my reflection In all this madness It’s madness Oh, it’s sickening It’s sickening You know It’s unfair, it’s unfair How you distorted my reflection You know it’s too late Seog yrots eht woh yltcaxe Swohs taht yaw a ni thgil gnidneb Ssem ’nikcuf a em gnivael dna Ssalg nekorb fo kcerw a gnikam er’uoy Seog yrots eht woh yltcaxe Swohs taht yaw a ni thgil gnidneb Ssem ’nikcuf a em gnivael dna Ssalg nekorb fo kcerw a gnikam er’uoy You’re lost in a world of funhouse mirrors Twisted for eternity Bending light in a way that shows Refraction of hypocrisy Whimsical, dear, your lies are clear Now who the hell would’ve ever guessed? Play my games and abide my ways There’s no way you can compensate Tears laced with cyanide flow through the cracks of a Mirror shattered long ago And, sure, I’m the one who swung the metal bat But, hey, I can’t control the urge! Nobody’s gonna blame me for that + 和訳 （｢彼らと距離を置いたほうが絶対にいいよ｣） （｢彼らは、僕をひどく傷つけてくるんだ……｣） （｢虐待的で口汚いと言っても過言じゃない｣） （｢僕はあいつらが大嫌いだ｣） （｢君も仲間になってくれない？｣） 何かが揃っていない シアン化物と結びついた涙が 随分前に砕かれた鏡の亀裂を通って流れている そして、確かに僕がそうだよ 金属バットを振るったのは だけど、ねえ、衝動を抑えられないや！ 誰もそのことで僕を責めやしない ムリだよ、不可能… 右回りにねじ曲げる 細部は決して安全ではない 真実はレンズを通して投影される 何も証明せずとも さぁ、理解するべく時間をかけて あなたの信じるものに関わらず 虐殺の犠牲者は 哀れな私その人でした 確かにあなたは問題を理解している 僕は自分の考えを失いたくない 嘆かわしい自己認識は 他ならぬあなたの姿だった あなたは壊れたガラスの残骸を作っている 私をとんでもない厄介者にしておいて！ 光を曲げて明るみにする 物語はどう進んでいくのか ひねくれた、愛すべきあなたの嘘は明白だ さぁ、誰が今まで推測していただろう？ 私のゲームで遊び、規則を守るんだ あなたが補償できる方法はない…… モンスターだ、モンスターだ モンスターだ、モンスターだ さあ 逃げろ、逃げろ、逃げろ 僕はモンスター、そう、怪物だ 怪物だ、怪物だ さあ 逃げろ、逃げろ、逃げろ 今では、あなたこそが怪物だ 裏切りの微光が私の心を変える 肩入れしても勝ち目はない 永久に 無知の残虐行為と無色の謝罪 これはそうじゃない 私はあなたが思うほど残酷ではない 今こそ理解するべく時間をかけて あなたが見るかもしれないものに関わらず 鏡にはひびが入った 私は壊れた破片で傷つけられ、 どれだけ血を流したことだろう… スポットライトに照らされて動けない 最上級の笑顔よりも眩しくて 屈折する光は真実を明るみにする 我々の友人に畏怖の念を抱かせた真実を！ 偏僻な、愛すべきあなたの嘘は明白だ さぁ、誰が今まで推測していただろう？ 私のゲームで遊び、規則を守るんだ 補償できる道は他にない… 狂気だ、そんなの狂ってる あぁ、不愉快だよ、うんざりだ！ 分かるだろう、それは不公平、不公平だ あなたはどれほど私の反射を歪曲したことだろう この狂乱の中で そんなの狂ってる あぁ、不愉快だよ、うんざりだ！ 分かるだろ、そんなの不公平、不公平だ あなたはどれほど私の反射を歪曲したのか 知ってるだろ、遅すぎたんだ かのるすうこんしはしなはにうよのどくしさま すつうをたがすてつよにりかひたしつせつく ていおてしにのもいかつやをしたわ るいてつくつをいがんざのすらがたれわこはたなあ かのるすうこんしはしなはにうよのどくしさま すつうをたがすてつよにりかひたしつせつく ていおてしにのもいかつやをしたわ るいつ作りかば骸残のスガラはたなあ あなたは歪んだ鏡の世界でさ迷っている 永久にねじれた世界で 屈折した光が見せるのは 偽善の反射 滑稽な、愛すべきあなたの嘘は明白だ 誰が今まで推測していただろう？ 私のゲームで遊び、規則を守りなさい もう償える術はない シアン化物と結びついた涙は 亀裂を通って流れている ずっと前に砕かれた鏡の亀裂を…… そしてそう、僕こそが 金属バットを振るった張本人 だけどさ、衝動を抑えられないんだ！ コメント Nobody's gonna blame me for thatの和訳抜けてます？？ -- 名無しさん (2023-10-31 00 39 35) ↑ありがとうございます。修正しました -- akira (2024-01-06 20 38 07) 名前 コメント コメントを書き込む際の注意 コメント欄は匿名で使用できる性質上、荒れやすいので、 以下の条件に該当するようなコメントは削除されることがあります。 コメントする際は、絶対に目を通してください。 暴力的、または卑猥な表現・差別用語（Wiki利用者に著しく不快感を与えるような表現） 特定の個人・団体の宣伝または批判 （曲紹介ページにおいて）歌詞の独自解釈を展開するコメント、いわゆる“解釈コメ” 長すぎるコメント 『歌ってみた』系動画や、歌い手に関する話題 「カラオケで歌えた」「学校で流れた」などの曲に直接関係しない、本来日記に書くようなコメント カラオケ化、カラオケ配信等の話題 同一人物によると判断される連続・大量コメント Wikiの保守管理は有志によって行われています。 Wikiを気持ちよく利用するためにも、上記の注意事項は守って頂くようにお願いします。
https://w.atwiki.jp/rs_wiki/pages/207.html
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Title Three Dog Night - Joy To The World lyrics Artist Three Dog Night Lyrics Jeremiah was a bullfrog Was a good friend of mine I never understood a single word he said But I helped him drink his wine And he always had some mighty fine wine Singin Joy to the world All the boys and girls, now Joy to the fishes in the deep blue sea Joy to you and me If I were the king of the world Tell you what I d do I d throw away the cars and the bars and the wars And make sweet love to you Said, make sweet love to you Joy to the world All the boys and girls Joy to the fishes in the deep blue sea Joy to you and me [break] You know I love the ladies I love to have my fun I m a high life flyer and a rainbow rider A straight shootin son-of-a-gun I said, a straight shootin son-of-a-gun Singin Joy to the world All the boys and girls now Joy to the fishes in the deep blue sea Joy to you and me Joy to the world All the boys and girls Joy to the world Joy to you and me Joy to the world All the boys and girls Joy to the fishes in the deep blue sea Joy to you and me Joy to the world All the boys and girls Joy to the fishes in the deep blue sea Joy to you and me
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(Enter Ko-Ko and Pooh-Bah.) KO-KO At last, my bride that is to be! (About to embrace her) YUM-YUM You’re not going to kiss me before all these people? KO-KO Well, that was the idea. YUM-YUM (aside to Peep-Bo) It seems odd, doesn’t it? PEEP-BO It’s rather peculiar. PITTI-SING Oh, I expect it’s all right. Must have a beginning, you know. YUM-YUM Well, of course I know nothing about these things; but I’ve no objection if it’s usual. KO-KO Oh, it’s quite usual, I think. Eh, Lord Chamberlain? (Appealing to Pooh-Bah) POOH-BAH I have known it done. (Ko-Ko embraces her) YUM-YUM Thank goodness that’s over! (Sees Nanki-Poo, and rushes to him.) Why, that’s never you? (The Three Girls rush to him and shake his hands, all speaking at once.) YUM-YUM Oh, I’m so glad! I haven’t seen you for ever so long, and I’m. right at the top of the school, and I’ve got three prizes, and I’ve come home for good, and I’m not going back any more! PEEP-BO And have you got an engagement? – Yum-Yum’s got one, but she doesn’t like it, and she’d ever so much rather it was you! I’ve come home for good, and I’m not going back any more! PITTI-SING Now tell us all the news, because you go about everywhere, and we’ve been at school, but, thank goodness, that’s all over now, and we’ve come home for good, and we’re not going back any more! (These three speeches are spoken together in one breath.) KO-KO I beg your pardon. Will you present me? YUM-YUM Oh, this is the musician who used... PEEP-BO Oh, this is the gentleman who used... PITTI-SING Oh, it is only Nanki-Poo who used... KO-KO One at a time, if you please. YUM-YUM Oh, if you please he’s the gentleman who used to play so beautifully on the... on the... PITTI-SING On the Marine Parade. YUM-YUM Yes, I think that was the name of the instrument. NANKI-POO Sir, I have the misfortune to love your ward, oh, I know I deserve your anger! KO-KO Anger! not a bit, my boy. Why, I love her myself. Charming little girl, isn’t she? Pretty eyes, nice hair. Taking little thing, altogether. Very glad to hear my opinion backed by a competent authority. Thank you very much. Good-bye. (To Pish-Tush) Take him away. (Pish-Tush removes him.) PITTI-SING (who has been examining Pooh-Bah) I beg your pardon, but what is this? Customer come to try on? KO-KO That is a Tremendous Swell. PITTI-SING Oh, it’s alive. (She starts back in alarm.) POOH-BAH Go away, little girls. Can’t talk to little girls like you. Go away, there’s dears. KO-KO Allow me to present you, Pooh-Bah. These are my three wards. The one in the middle is my bride elect. POOH-BAH What do you want me to do to them? Mind, I will not kiss them. KO-KO No, no, you shan’t kiss them; a little bow, a mere nothing, you needn’t mean it, you know. POOH-BAH It goes against the grain. They are not young ladies, they are young persons. KO-KO Come, come, make an effort, there’s a good nobleman. POOH-BAH (aside to Ko-Ko) Well, I shan’t mean it. (With a great effort.) How de do, little girls, how de do? (Aside.) Oh, my protoplasmal ancestor! KO-KO That’s very good. (Girls indulge in suppressed laughter.) POOH-BAH I see nothing to laugh at. It is very painful to me to have to say ‘How de do, little girls, how de do? ’ to young persons. I’m not in the habit of saying ‘How de do, little girls, how de do?’ to anybody under the rank of a Stockbroker. KO-KO (aside to girls) Don’t laugh at him, he can’t help it He’s under treatment for it. (Aside to Pooh-Bah) Never mind them, they don’t understand the delicacy of your position. POOH-BAH We know how delicate it is, don’t we? KO-KO I should think we did! How a nobleman of your importance can do it at all is a thing I never can, never shall understand. (Ko-Ko-retires up and goes off) Quartet and Chorus YUM-YUM, PEEP-BO, PITTI-SING So please you, sir, we much regret. If we have failed in etiquette Towards a man of rank so high We shall know better by and by. YUM-YUM But youth, of course, must have its fling, So pardon us, So pardon us, PITTI-SING And don’t, in girlhood’s happy spring, Be hard on us, Be hard on us, If we’re inclined to dance and sing.. Tra la la, etc. (Dancing.) GIRLS But youth, of course, etc. POOH-BAH I think you ought to recollect You cannot show too much respect Towards the highly titled few; But nobody does, and why should you? That youth at us should have its fling, Is hard on us, Is hard on us; To our prerogative we cling So pardon us, So pardon us, If we decline to dance and sing. Tra la la, etc. (Dancing) GIRLS But youth, of course, must have its fling, etc. (Exeunt all but Yum-Yum.) (Enter Nanki-Poo) NANKI-POO Yum-Yum, at last we are alone! I have sought you night and day for three weeks, in the belief that your guardian was beheaded, and I find that you are about to be married to him this afternoon! YUM-YUM Alas, yes! NANKI-POO But you do not love him? YUM-YUM Alas, no! NANKI-POO Modified rapture! But why do you not refuse him? YUM-YUM What good would that do? He’s my guardian, and he wouldn’t let me marry you! NANKI-POO But I would wait until you were of age! YUM-YUM You forget that in Japan girls do not arrive at years of discretion until they are fifty. NANKI-POO True; from seventeen to forty-nine are considered years of indiscretion. YUM-YUM Besides, a wandering minstrel, who plays a wind instrument outside tea-houses, is hardly a fitting husband for the ward of a Lord High Executioner. NANKI-POO But.. (Aside.) Shall I tell her? Yes! She will not betray me! (Aloud.) What if it should prove that, after all, I am no musician? YUM-YUM There! I was certain of it, directly I heard you play! NANKI-POO What if it should prove that I am no other than the son of his Majesty the Mikado? YUM-YUM The son of the Mikado! But why is your Highness disguised? And what has your Highness done? And will your Highness promise never to do it again? NANKI-POO Some years ago I had the misfortune to captivate Katisha, an elderly lady of my father’s Court. She misconstrued my customary affability into expressions of affection, and claimed me in marriage, under my father’s law. My father, the Lucius Junius Brutus of his race, ordered me to marry her within a week, or perish ignominiously on the scaffold. That night I fled his Court, and, assuming the disguise of a Second Trombone, I joined the band in which you found me when I had the happiness of seeing you! (Approaching her) YUM-YUM (retreating) If you please, I think your Highness had better not come too near. The laws against flirting are excessively severe. NANKI-POO But we are quite alone, and nobody can see us. YUM-YUM Still, that doesn’t make it right. To flirt is capital. NANKI-POO It is capital! YUM-YUM And we must obey the law. NANKI-POO Deuce take the law! YUM-YUM I wish it would, but it won’t! NANKI-POO If it were not for that, how happy we might be! YUM-YUM Happy indeed! NANKI-POO If it were not for the law, we should now be sitting side by side, like that. (Sits by her.) YUM-YUM. Instead of being obliged to sit half a mile off, like that. (Crosses and sits at other side of stage.) NANKI-POO We should be gazing into each other’s eyes, like that. (Gazing at her sentimentally.) YUM-YUM Breathing sighs of unutterable love, like that. (Sighing and gazing lovingly at him.) NANKI-POO With our arms round each other’s waists, like that. (Embracing her) YUM-YUM Yes, if it wasn’t for the law. NANKI-POO If it wasn’t for the law. YUM-YUM As it is, of course we couldn’t do anything of the kind. NANKI-POO Not for worlds! YUM-YUM Being engaged to Ko-Ko, you know! NANKI-POO Being engaged to Ko-Ko! Duet Yum-Yum, Nanki-Poo. NANKI-POO Were you not to Ko-Ko plighted, I would say in tender tone, ‘Loved one, let us be united, Let us be each other’s own!’ I would merge all rank and station, Worldly sneers are nought to us, And, to mark my admiration, I would kiss you fondly thus. (Kisses her) BOTH I/He would kiss you/me fondly thus. (Kiss) YUM-YUM But as I’m engaged to Ko-Ko, To embrace you thus, con fuoco, Would distinctly be no giuoco, And for yam I should get toko. BOTH Toko, toko, toko, toko! NANKI-POO So, in spite of all temptation, Such a theme I’ll not discuss, And on no consideration Will I kiss you fondly thus. (Kissing her.) Let me make it clear to you, This is what I’ll never do! This, oh, this, oh, this, oh, this. (Kissing her.) TOGETHER This, Oh, this, etc. (Exeunt in opposite directions.) (Enter Ko-Ko.) KO-KO (looking after Yum-Yum) There she goes! To think how entirely my future happiness is wrapped up in that little parcel! Really, it hardly seems worth while! Oh, matrimony! (Enter Pooh-Bah and Pish-Tush.) Now then, what is it? Can’t you see I’m soliloquizing? You have interrupted an apostrophe, sir! PISH-TUSH I am the bearer of a letter from his Majesty the Mikado. KO-KO (taking it from him reverentially) A letter from the Mikado! What in the world can he have to say to me? (Reads letter) Ah, here it is at last! I thought it would come sooner or later! The Mikado is struck by the fact that no executions have taken place in Titipu for a year, and decrees that unless somebody is beheaded within one month the post of Lord High Executioner shall be abolished, and the city reduced to the rank of a village! PISH-TUSH But that will involve us all in irretrievable ruin! KO-KO Yes. There is no help for it, I shall have to execute somebody at once. The only question is, who shall it be? POOH-BAH Well, it seems unkind to say so, but as you’re already under sentence of death for flirting, everything seems to point to you. KO-KO To me? What are you talking about? I can’t execute myself. POOH-BAH Why not? KO-KO Why not? Because, in the first place, self-decapitation is an extremely difficult, not to say dangerous, thing to attempt; and, in the second, it’s suicide, and suicide is a capital offence. POOH-BAH That is so, no doubt. PISH-TUSH We might reserve that point. POOH-BAH True, it could be argued six months hence, before the full Court. KO-KO Besides, I don’t see how a man can cut off his own head. POOH-BAH A man might try. PISH-TUSH Even if you only succeeded in cutting it half off, that would be something. POOH-BAH It would be taken as an earnest of your desire to comply with the Imperial will. KO-KO No. Pardon me, but there I am adamant. As official Headsman, my reputation is at stake, and I can’t consent to embark on a professional operation unless I see my way to a successful result. POOH-BAH This professional conscientiousness is highly creditable to you, but it places us in a very awkward position. KO-KO My good sir, the awkwardness of your position is grace itself compared with that of a man engaged in the act of cutting off his own head. PISH-TUSH I am afraid that, unless you can obtain a substitute. KO-KO A substitute? Oh, certainly, nothing easier. (To Pooh-Bah) Pooh-Bah, I appoint you Lord High Substitute. POOH-BAH I should be delighted. Such an appointment would realize my fondest dreams. But no, at any sacrifice, I must set bounds to my insatiable ambition! Trio POOH-BAH I am so proud, If I allowed My family pride To be my guide, I’d volunteer To quit this sphere Instead of you, In a minute or two. But family pride Must be denied, And set aside, And mortified. And so, Although I wish to go, And greatly pine To brightly shine, And take the line Of a hero fine, With grief condign I must decline, I must decline, I must decline. KO-KO My brain it teems With endless schemes Both good and new. For Titipu; But if I flit, The benefit That I’d diffuse The town would lose! Now every man To aid his clan Should plot and plan As best he can, And so, Although I’m ready to go, Yet recollect ’Twere disrespect Did I neglect To thus effect This aim direct, So I object, So I object, So I object. PISH-TUSH I heard one day A gentleman say That criminals who Are cut in two Can hardly feel The fatal steel, And so are slain Without much pain. If this is true, It’s jolly for you; Your courage screw To bid us adieu, And go And show Both friend and foe How much you dare. I’m quite aware It’s your affair, Yet I declare I’d take your share, But I don’t much care, I don’t much care, I don’t much care. ALL To sit in solemn silence in a dull, dark dock, In a pestilential prison, with a life-long lock, Awaiting the sensation of a short, sharp shock, From a cheap and chippy chopper on a big black block! (Exeunt Pooh-Bah and Pish-Tush) KO-KO This is simply appalling! I, who allowed myself to be respited at the last moment, simply in order to benefit my native town, am now required to die within a month, and that by a man whom I have loaded with honours! Is this public gratitude? Is this (Enter Nanki-Poo, with a rope in his hands.) Go away, sir! How dare you? Am I never to be permitted to soliloquize? NANKI-POO Oh, go on, don’t mind me. KO-KO What are you going to do with that rope? NANKI-POO I am about to terminate an unendurable existence. KO-KO Terminate your existence? Oh, nonsense! What for? NANKI-POO Because you are going to marry the girl I adore. KO-KO Nonsense, sir. I won’t permit it. I am a humane man, and if you attempt anything of the kind I shall order your instant arrest. Come, sir, desist at once, or I summon my guard. NANKI-POO That’s absurd. If you attempt to raise an alarm, I instantly perform the Happy Despatch with this dagger. KO-KO No, no, don’t do that. This is horrible! (Suddenly) Why, you cold-blooded scoundrel, are you aware that, in taking your life, you are committing, a crime which...which... which... is... Oh! (Struck by an idea) Substitute! NANKI-POO What’s the matter? KO-KO Is it absolutely certain that you are resolved to die? NANKI-POO Absolutely! KO-KO Will nothing shake your resolution? NANKI-POO Nothing. KO-KO Threats, entreaties, prayers – all useless? NANKI-POO All! My mind is made up. KO-KO Then, if you really mean what you say, and if you are absolutely resolved to die, and if nothing whatever will shake your determination, don’t spoil yourself by committing suicide, but be beheaded handsomely at the hands of the Public Executioner! NANKI-POO I don’t see how that would benefit me. KO-KO You don’t? Observe you’ll have a month to live, and you’ll live like a fighting-cock at my expense. When the day comes there’ll be a grand public ceremonial, you’ll be the central figure, no one will attempt to deprive you of that distinction. There’ll be a procession, bands, dead march, bells tolling, all the girls in tears, Yum-Yum distracted, then, when it’s all over, general rejoicings, and a display of fireworks in the evening. You won’t see them, but they’ll be there all the same. NANKI-POO Do you think Yum-Yum would really be distracted at my death? KO-KO I am convinced of it. Bless you, she’s the most tender-hearted little creature alive. NANKI-POO I should be sorry to cause her pain. Perhaps, after all, if I were to withdraw from Japan, and travel in Europe for a couple of years, I might contrive to forget her. KO-KO Oh, I don’t think you could forget Yum-Yum so easily; and, after all, what is more miserable than a love blighted life? NANKI-POO True. KO-KO Life without Yum-Yum – why, it seems absurd! NANKI-POO And yet there area good many people in the world who have to endure it. KO-KO Poor devils, yes! You are quite right not to be of their number. NANKI-POO (suddenly) I won’t be of their number! KO-KO Noble fellow! NANKI-POO I’ll tell you how we’ll manage it. Let me marry Yum-Yum tomorrow, and in a month you may behead me. KO-KO No, no. I draw the line at Yum-Yum. NANKI-POO Very good. If you can draw the line so can I. (Preparing rope) KO-KO Stop, stop! Listen one moment. Be reasonable. How can I consent to your marrying Yum-Yum if I’m going to marry her myself? NANKI-POO My good friend, she’ll be a widow in a month, and you can marry her then. KO-KO That’s true, of course. I quite see that. But, dear me! my position during the next month will be most unpleasant, most unpleasant. NANKI-POO Not half so unpleasant as my position at the end of it. KO-KO But, dear me! Well, I agree, after all, it’s only putting off my wedding for a month. But you won’t prejudice her against me, will you? You see, I’ve educated her to be my wife; she’s been taught to regard me as a wise and good man. Now I shouldnt like her views on that point disturbed. NANKI-POO Trust me, she shall never learn the truth from me. (Enter Chorus, Pooh-Bah and Pish-Tush) CHORUS With aspect stern And gloomy stride, We come to learn How you decide. Don’t hesitate Your choice to name, A dreadful fate You’ll suffer all the same. POOH-BAH To ask you what you mean to do we punctually appear. KO-KO Congratulate me, gentlemen, I’ve found a Volunteer! ALL The Japanese equivalent for Hear, Hear, Hear! KO-KO (presenting him) ’Tis Nanki-Poo! ALL Hail, Nanki-Poo! KO-KO I think he’ll do? ALL Yes, yes, he’ll do! KO-KO He yields his life if I’ll Yum-Yum surrender. Now I adore that girl with passion tender, And could not yield her with a ready will, Or her allot, if I did not Adore myself with passion tenderer still! (Enter Yum-Yum, Peep-Bo And Pitti-Sing) ALL Ah, yes! He loves himself with passion tenderer still! KO-KO (to Nanki-Poo) Take her. She’s yours! (Exit Ko-Ko) Ensemble NANKI-POO The threatened cloud has passed away. YUM-YUM And brightly shines the dawning day. NANKI-POO What though the night may come too soon. YUM-YUM There’s yet a month of afternoon! NANKI-POO, POOH-BAH, PISH-TUSH YUM-YUM, PITTI-SING, PEEP-BO Then let the throng Our joy advance, With laughing song And merry dance, CHORUS With joyous shout and ringing cheer, Inaugurate our brief career! PITTI-SING A day, a week, a month, a year... YUM-YUM Or far or near, or far or near, POOH-BAH Life’s eventime comes much too soon, PITTI-SING You’ll five at least a honeymoon! ALL Then let the throng, etc. CHORUS With joyous shout, etc. Solo POOH-BAH As in a month you’ve got to die, If Ko-Ko tells us true, ’Twere empty compliment to cry ‘Long life to Nanki-Poo!’ But as one month you have to live As fellow-citizen, This toast with three times three we’ll give ‘Long life to you, till then! (Exit Pooh-Bah) CHORUS May all good fortune prosper you, May you have health and riches too, May you succeed in all you. do! Long life to you – till then! (Dance.) (Enter Katisha melodramatically.) KATISHA Your revels cease! Assist me, all of you! CHORUS Why, who is this whose evil eyes Rain blight on our festivities? KATISHA I claim my perjured lover, Nanki-Poo! Oh, fool! to shun delights that never cloy! CHORUS Go, leave thy deadly work undone! KATISHA Come back, oh, shallow fool! come back to joy! CHORUS Away, away! ill-favoured one! NANKI-POO (aside to Yum-Yum) Ah!’Tis Katisha! The maid of whom I told you. (About to go.) KATISHA (detaining him) No! You shall not go, These arms shall thus enfold you! Song KATISHA (addressing Nanki-Poo) Oh fool, that fleest My hallowed joys! Oh blind, that seest No equipoise! Oh rash, that judgest From half, the whole! Oh base, that grudgest Love’s lightest dole! Thy heart unbind, Oh fool, oh blind! Give me my place, Oh rash, oh base! CHORUS If she’s thy bride, restore her place, Oh fool, oh blind, oh rash, oh base! KATISHA (addressing Yum-Yum) Pink cheek, that rulest Where wisdom serves! Bright eye, that foolest Heroic nerves! Rose lip, that scornest Lore-laden years! Smooth tongue, that warnest Who rightly hears! Thy doom is nigh, Pink cheek, bright eye! Thy knell is rung, Rose lip, smooth tongue! CHORUS If true her tale, thy knell is rung, Pink cheek, bright eye, rose lip, smooth tongue! PITTI-SING Away, nor prosecute your quest. From our intention, well expressed, You cannot turn us! The state of your connubial views Towards the person you accuse Does not concern us! For he’s going to marry Yum-Yum. ALL Yum-Yum! PITTI-SING Your anger pray bury, For all will be merry, I think you had better succumb... ALL Cumb, cumb! PITTI-SING And join our expressions of glee. On this subject I pray you be dumb. ALL Dumb, dumb. PITTI-SING You’ll find there are many Who’ll wed for a penny. The word for your guidance is ‘Mum’. ALL Mum, mum! PITTI-SING There’s lots of good fish in the sea! ALL On this subject we pray you be dumb, etc. Solo KATISHA The hour of gladness Is dead and gone; In silent sadness I live alone! The hope I cherished All lifeless lies, And all has perished Save love, which never dies! Oh, faithless one, this insult you shall rue! In vain for mercy on your knees you’ll sue. I’ll tear the mask from your disguising! NANKI-POO (aside) Now comes the blow! KATISHA Prepare yourselves for news surprising! NANKI-POO (aside) How foil my foe? KATISHA No minstrel he, despite bravado! YUM-YUM (aside, struck by an idea) Ha! ha! I know! KATISHA He is the son of your... NANKI-POO, YUM-YUM, CHORUS, (interrupting, sing Japanese words, to drown her voice.) O ni! bikkuri shakkuri to! KATISHA In vain you interrupt with this tornado! He is the only son of your... ALL O ni! bikkuri shakkuri to! KATISHA I’ll spoil ALL O ni! bikkuri shakkuri to! KATISHA Your gay gambado! He is the son... ALL O ni! bikkuri shakkuri to! KATISHA Of your... ALL O ni! bikkuri shakkuri to! KATISHA The son of your... ALL O ni! bikkuri shakkuri to! oval oya! Ensemble KATISHA Ye torrents roar! Ye tempests howl! Your wrath outpour With angry growl! Do ye your worst, my vengeance call Shall rise triumphant over all! Prepare for woe, Ye haughty lords, At once I go Mikado-wards, My wrongs with vengeance shall be be crowned! My wrongs with vengeance shall be be crowned! THE OTHERS We’ll hear no more, Ill-omened owl, To joy we soar, Despite your scowl! The echoes of our festival Shall rise triumphant over all! Away you go, Collect your hordes; Proclaim your woe In dismal chords; We do not heed their dismal sound, For joy reigns everywhere around. (Katisha rushes furiously up stage, clearing the crowd away right and left, finishing on steps at the back of stage.) (Enter Ko-Ko and Pooh-Bah.) KO-KO At last, my bride that is to be! (About to embrace her) YUM-YUM You’re not going to kiss me before all these people? KO-KO Well, that was the idea. YUM-YUM (aside to Peep-Bo) It seems odd, doesn’t it? PEEP-BO It’s rather peculiar. PITTI-SING Oh, I expect it’s all right. Must have a beginning, you know. YUM-YUM Well, of course I know nothing about these things; but I’ve no objection if it’s usual. KO-KO Oh, it’s quite usual, I think. Eh, Lord Chamberlain? (Appealing to Pooh-Bah) POOH-BAH I have known it done. (Ko-Ko embraces her) YUM-YUM Thank goodness that’s over! (Sees Nanki-Poo, and rushes to him.) Why, that’s never you? (The Three Girls rush to him and shake his hands, all speaking at once.) YUM-YUM Oh, I’m so glad! I haven’t seen you for ever so long, and I’m. right at the top of the school, and I’ve got three prizes, and I’ve come home for good, and I’m not going back any more! PEEP-BO And have you got an engagement? – Yum-Yum’s got one, but she doesn’t like it, and she’d ever so much rather it was you! I’ve come home for good, and I’m not going back any more! PITTI-SING Now tell us all the news, because you go about everywhere, and we’ve been at school, but, thank goodness, that’s all over now, and we’ve come home for good, and we’re not going back any more! (These three speeches are spoken together in one breath.) KO-KO I beg your pardon. Will you present me? YUM-YUM Oh, this is the musician who used... PEEP-BO Oh, this is the gentleman who used... PITTI-SING Oh, it is only Nanki-Poo who used... KO-KO One at a time, if you please. YUM-YUM Oh, if you please he’s the gentleman who used to play so beautifully on the... on the... PITTI-SING On the Marine Parade. YUM-YUM Yes, I think that was the name of the instrument. NANKI-POO Sir, I have the misfortune to love your ward, oh, I know I deserve your anger! KO-KO Anger! not a bit, my boy. Why, I love her myself. Charming little girl, isn’t she? Pretty eyes, nice hair. Taking little thing, altogether. Very glad to hear my opinion backed by a competent authority. Thank you very much. Good-bye. (To Pish-Tush) Take him away. (Pish-Tush removes him.) PITTI-SING (who has been examining Pooh-Bah) I beg your pardon, but what is this? Customer come to try on? KO-KO That is a Tremendous Swell. PITTI-SING Oh, it’s alive. (She starts back in alarm.) POOH-BAH Go away, little girls. Can’t talk to little girls like you. Go away, there’s dears. KO-KO Allow me to present you, Pooh-Bah. These are my three wards. The one in the middle is my bride elect. POOH-BAH What do you want me to do to them? Mind, I will not kiss them. KO-KO No, no, you shan’t kiss them; a little bow, a mere nothing, you needn’t mean it, you know. POOH-BAH It goes against the grain. They are not young ladies, they are young persons. KO-KO Come, come, make an effort, there’s a good nobleman. POOH-BAH (aside to Ko-Ko) Well, I shan’t mean it. (With a great effort.) How de do, little girls, how de do? (Aside.) Oh, my protoplasmal ancestor! KO-KO That’s very good. (Girls indulge in suppressed laughter.) POOH-BAH I see nothing to laugh at. It is very painful to me to have to say ‘How de do, little girls, how de do? ’ to young persons. I’m not in the habit of saying ‘How de do, little girls, how de do?’ to anybody under the rank of a Stockbroker. KO-KO (aside to girls) Don’t laugh at him, he can’t help it He’s under treatment for it. (Aside to Pooh-Bah) Never mind them, they don’t understand the delicacy of your position. POOH-BAH We know how delicate it is, don’t we? KO-KO I should think we did! How a nobleman of your importance can do it at all is a thing I never can, never shall understand. (Ko-Ko-retires up and goes off) Quartet and Chorus YUM-YUM, PEEP-BO, PITTI-SING So please you, sir, we much regret. If we have failed in etiquette Towards a man of rank so high We shall know better by and by. YUM-YUM But youth, of course, must have its fling, So pardon us, So pardon us, PITTI-SING And don’t, in girlhood’s happy spring, Be hard on us, Be hard on us, If we’re inclined to dance and sing.. Tra la la, etc. (Dancing.) GIRLS But youth, of course, etc. POOH-BAH I think you ought to recollect You cannot show too much respect Towards the highly titled few; But nobody does, and why should you? That youth at us should have its fling, Is hard on us, Is hard on us; To our prerogative we cling So pardon us, So pardon us, If we decline to dance and sing. Tra la la, etc. (Dancing) GIRLS But youth, of course, must have its fling, etc. (Exeunt all but Yum-Yum.) (Enter Nanki-Poo) NANKI-POO Yum-Yum, at last we are alone! I have sought you night and day for three weeks, in the belief that your guardian was beheaded, and I find that you are about to be married to him this afternoon! YUM-YUM Alas, yes! NANKI-POO But you do not love him? YUM-YUM Alas, no! NANKI-POO Modified rapture! But why do you not refuse him? YUM-YUM What good would that do? He’s my guardian, and he wouldn’t let me marry you! NANKI-POO But I would wait until you were of age! YUM-YUM You forget that in Japan girls do not arrive at years of discretion until they are fifty. NANKI-POO True; from seventeen to forty-nine are considered years of indiscretion. YUM-YUM Besides, a wandering minstrel, who plays a wind instrument outside tea-houses, is hardly a fitting husband for the ward of a Lord High Executioner. NANKI-POO But.. (Aside.) Shall I tell her? Yes! She will not betray me! (Aloud.) What if it should prove that, after all, I am no musician? YUM-YUM There! I was certain of it, directly I heard you play! NANKI-POO What if it should prove that I am no other than the son of his Majesty the Mikado? YUM-YUM The son of the Mikado! But why is your Highness disguised? And what has your Highness done? And will your Highness promise never to do it again? NANKI-POO Some years ago I had the misfortune to captivate Katisha, an elderly lady of my father’s Court. She misconstrued my customary affability into expressions of affection, and claimed me in marriage, under my father’s law. My father, the Lucius Junius Brutus of his race, ordered me to marry her within a week, or perish ignominiously on the scaffold. That night I fled his Court, and, assuming the disguise of a Second Trombone, I joined the band in which you found me when I had the happiness of seeing you! (Approaching her) YUM-YUM (retreating) If you please, I think your Highness had better not come too near. The laws against flirting are excessively severe. NANKI-POO But we are quite alone, and nobody can see us. YUM-YUM Still, that doesn’t make it right. To flirt is capital. NANKI-POO It is capital! YUM-YUM And we must obey the law. NANKI-POO Deuce take the law! YUM-YUM I wish it would, but it won’t! NANKI-POO If it were not for that, how happy we might be! YUM-YUM Happy indeed! NANKI-POO If it were not for the law, we should now be sitting side by side, like that. (Sits by her.) YUM-YUM. Instead of being obliged to sit half a mile off, like that. (Crosses and sits at other side of stage.) NANKI-POO We should be gazing into each other’s eyes, like that. (Gazing at her sentimentally.) YUM-YUM Breathing sighs of unutterable love, like that. (Sighing and gazing lovingly at him.) NANKI-POO With our arms round each other’s waists, like that. (Embracing her) YUM-YUM Yes, if it wasn’t for the law. NANKI-POO If it wasn’t for the law. YUM-YUM As it is, of course we couldn’t do anything of the kind. NANKI-POO Not for worlds! YUM-YUM Being engaged to Ko-Ko, you know! NANKI-POO Being engaged to Ko-Ko! Duet Yum-Yum, Nanki-Poo. NANKI-POO Were you not to Ko-Ko plighted, I would say in tender tone, ‘Loved one, let us be united, Let us be each other’s own!’ I would merge all rank and station, Worldly sneers are nought to us, And, to mark my admiration, I would kiss you fondly thus. (Kisses her) BOTH I/He would kiss you/me fondly thus. (Kiss) YUM-YUM But as I’m engaged to Ko-Ko, To embrace you thus, con fuoco, Would distinctly be no giuoco, And for yam I should get toko. BOTH Toko, toko, toko, toko! NANKI-POO So, in spite of all temptation, Such a theme I’ll not discuss, And on no consideration Will I kiss you fondly thus. (Kissing her.) Let me make it clear to you, This is what I’ll never do! This, oh, this, oh, this, oh, this. (Kissing her.) TOGETHER This, Oh, this, etc. (Exeunt in opposite directions.) (Enter Ko-Ko.) KO-KO (looking after Yum-Yum) There she goes! To think how entirely my future happiness is wrapped up in that little parcel! Really, it hardly seems worth while! Oh, matrimony! (Enter Pooh-Bah and Pish-Tush.) Now then, what is it? Can’t you see I’m soliloquizing? You have interrupted an apostrophe, sir! PISH-TUSH I am the bearer of a letter from his Majesty the Mikado. KO-KO (taking it from him reverentially) A letter from the Mikado! What in the world can he have to say to me? (Reads letter) Ah, here it is at last! I thought it would come sooner or later! The Mikado is struck by the fact that no executions have taken place in Titipu for a year, and decrees that unless somebody is beheaded within one month the post of Lord High Executioner shall be abolished, and the city reduced to the rank of a village! PISH-TUSH But that will involve us all in irretrievable ruin! KO-KO Yes. There is no help for it, I shall have to execute somebody at once. The only question is, who shall it be? POOH-BAH Well, it seems unkind to say so, but as you’re already under sentence of death for flirting, everything seems to point to you. KO-KO To me? What are you talking about? I can’t execute myself. POOH-BAH Why not? KO-KO Why not? Because, in the first place, self-decapitation is an extremely difficult, not to say dangerous, thing to attempt; and, in the second, it’s suicide, and suicide is a capital offence. POOH-BAH That is so, no doubt. PISH-TUSH We might reserve that point. POOH-BAH True, it could be argued six months hence, before the full Court. KO-KO Besides, I don’t see how a man can cut off his own head. POOH-BAH A man might try. PISH-TUSH Even if you only succeeded in cutting it half off, that would be something. POOH-BAH It would be taken as an earnest of your desire to comply with the Imperial will. KO-KO No. Pardon me, but there I am adamant. As official Headsman, my reputation is at stake, and I can’t consent to embark on a professional operation unless I see my way to a successful result. POOH-BAH This professional conscientiousness is highly creditable to you, but it places us in a very awkward position. KO-KO My good sir, the awkwardness of your position is grace itself compared with that of a man engaged in the act of cutting off his own head. PISH-TUSH I am afraid that, unless you can obtain a substitute. KO-KO A substitute? Oh, certainly, nothing easier. (To Pooh-Bah) Pooh-Bah, I appoint you Lord High Substitute. POOH-BAH I should be delighted. Such an appointment would realize my fondest dreams. But no, at any sacrifice, I must set bounds to my insatiable ambition! Trio POOH-BAH I am so proud, If I allowed My family pride To be my guide, I’d volunteer To quit this sphere Instead of you, In a minute or two. But family pride Must be denied, And set aside, And mortified. And so, Although I wish to go, And greatly pine To brightly shine, And take the line Of a hero fine, With grief condign I must decline, I must decline, I must decline. KO-KO My brain it teems With endless schemes Both good and new. For Titipu; But if I flit, The benefit That I’d diffuse The town would lose! Now every man To aid his clan Should plot and plan As best he can, And so, Although I’m ready to go, Yet recollect ’Twere disrespect Did I neglect To thus effect This aim direct, So I object, So I object, So I object. PISH-TUSH I heard one day A gentleman say That criminals who Are cut in two Can hardly feel The fatal steel, And so are slain Without much pain. If this is true, It’s jolly for you; Your courage screw To bid us adieu, And go And show Both friend and foe How much you dare. I’m quite aware It’s your affair, Yet I declare I’d take your share, But I don’t much care, I don’t much care, I don’t much care. ALL To sit in solemn silence in a dull, dark dock, In a pestilential prison, with a life-long lock, Awaiting the sensation of a short, sharp shock, From a cheap and chippy chopper on a big black block! (Exeunt Pooh-Bah and Pish-Tush) KO-KO This is simply appalling! I, who allowed myself to be respited at the last moment, simply in order to benefit my native town, am now required to die within a month, and that by a man whom I have loaded with honours! Is this public gratitude? Is this (Enter Nanki-Poo, with a rope in his hands.) Go away, sir! How dare you? Am I never to be permitted to soliloquize? NANKI-POO Oh, go on, don’t mind me. KO-KO What are you going to do with that rope? NANKI-POO I am about to terminate an unendurable existence. KO-KO Terminate your existence? Oh, nonsense! What for? NANKI-POO Because you are going to marry the girl I adore. KO-KO Nonsense, sir. I won’t permit it. I am a humane man, and if you attempt anything of the kind I shall order your instant arrest. Come, sir, desist at once, or I summon my guard. NANKI-POO That’s absurd. If you attempt to raise an alarm, I instantly perform the Happy Despatch with this dagger. KO-KO No, no, don’t do that. This is horrible! (Suddenly) Why, you cold-blooded scoundrel, are you aware that, in taking your life, you are committing, a crime which...which... which... is... Oh! (Struck by an idea) Substitute! NANKI-POO What’s the matter? KO-KO Is it absolutely certain that you are resolved to die? NANKI-POO Absolutely! KO-KO Will nothing shake your resolution? NANKI-POO Nothing. KO-KO Threats, entreaties, prayers – all useless? NANKI-POO All! My mind is made up. KO-KO Then, if you really mean what you say, and if you are absolutely resolved to die, and if nothing whatever will shake your determination, don’t spoil yourself by committing suicide, but be beheaded handsomely at the hands of the Public Executioner! NANKI-POO I don’t see how that would benefit me. KO-KO You don’t? Observe you’ll have a month to live, and you’ll live like a fighting-cock at my expense. When the day comes there’ll be a grand public ceremonial, you’ll be the central figure, no one will attempt to deprive you of that distinction. There’ll be a procession, bands, dead march, bells tolling, all the girls in tears, Yum-Yum distracted, then, when it’s all over, general rejoicings, and a display of fireworks in the evening. You won’t see them, but they’ll be there all the same. NANKI-POO Do you think Yum-Yum would really be distracted at my death? KO-KO I am convinced of it. Bless you, she’s the most tender-hearted little creature alive. NANKI-POO I should be sorry to cause her pain. Perhaps, after all, if I were to withdraw from Japan, and travel in Europe for a couple of years, I might contrive to forget her. KO-KO Oh, I don’t think you could forget Yum-Yum so easily; and, after all, what is more miserable than a love blighted life? NANKI-POO True. KO-KO Life without Yum-Yum – why, it seems absurd! NANKI-POO And yet there area good many people in the world who have to endure it. KO-KO Poor devils, yes! You are quite right not to be of their number. NANKI-POO (suddenly) I won’t be of their number! KO-KO Noble fellow! NANKI-POO I’ll tell you how we’ll manage it. Let me marry Yum-Yum tomorrow, and in a month you may behead me. KO-KO No, no. I draw the line at Yum-Yum. NANKI-POO Very good. If you can draw the line so can I. (Preparing rope) KO-KO Stop, stop! Listen one moment. Be reasonable. How can I consent to your marrying Yum-Yum if I’m going to marry her myself? NANKI-POO My good friend, she’ll be a widow in a month, and you can marry her then. KO-KO That’s true, of course. I quite see that. But, dear me! my position during the next month will be most unpleasant, most unpleasant. NANKI-POO Not half so unpleasant as my position at the end of it. KO-KO But, dear me! Well, I agree, after all, it’s only putting off my wedding for a month. But you won’t prejudice her against me, will you? You see, I’ve educated her to be my wife; she’s been taught to regard me as a wise and good man. Now I shouldnt like her views on that point disturbed. NANKI-POO Trust me, she shall never learn the truth from me. (Enter Chorus, Pooh-Bah and Pish-Tush) CHORUS With aspect stern And gloomy stride, We come to learn How you decide. Don’t hesitate Your choice to name, A dreadful fate You’ll suffer all the same. POOH-BAH To ask you what you mean to do we punctually appear. KO-KO Congratulate me, gentlemen, I’ve found a Volunteer! ALL The Japanese equivalent for Hear, Hear, Hear! KO-KO (presenting him) ’Tis Nanki-Poo! ALL Hail, Nanki-Poo! KO-KO I think he’ll do? ALL Yes, yes, he’ll do! KO-KO He yields his life if I’ll Yum-Yum surrender. Now I adore that girl with passion tender, And could not yield her with a ready will, Or her allot, if I did not Adore myself with passion tenderer still! (Enter Yum-Yum, Peep-Bo And Pitti-Sing) ALL Ah, yes! He loves himself with passion tenderer still! KO-KO (to Nanki-Poo) Take her. She’s yours! (Exit Ko-Ko) Ensemble NANKI-POO The threatened cloud has passed away. YUM-YUM And brightly shines the dawning day. NANKI-POO What though the night may come too soon. YUM-YUM There’s yet a month of afternoon! NANKI-POO, POOH-BAH, PISH-TUSH YUM-YUM, PITTI-SING, PEEP-BO Then let the throng Our joy advance, With laughing song And merry dance, CHORUS With joyous shout and ringing cheer, Inaugurate our brief career! PITTI-SING A day, a week, a month, a year... YUM-YUM Or far or near, or far or near, POOH-BAH Life’s eventime comes much too soon, PITTI-SING You’ll five at least a honeymoon! ALL Then let the throng, etc. CHORUS With joyous shout, etc. Solo POOH-BAH As in a month you’ve got to die, If Ko-Ko tells us true, ’Twere empty compliment to cry ‘Long life to Nanki-Poo!’ But as one month you have to live As fellow-citizen, This toast with three times three we’ll give ‘Long life to you, till then! (Exit Pooh-Bah) CHORUS May all good fortune prosper you, May you have health and riches too, May you succeed in all you. do! Long life to you – till then! (Dance.) (Enter Katisha melodramatically.) KATISHA Your revels cease! Assist me, all of you! CHORUS Why, who is this whose evil eyes Rain blight on our festivities? KATISHA I claim my perjured lover, Nanki-Poo! Oh, fool! to shun delights that never cloy! CHORUS Go, leave thy deadly work undone! KATISHA Come back, oh, shallow fool! come back to joy! CHORUS Away, away! ill-favoured one! NANKI-POO (aside to Yum-Yum) Ah!’Tis Katisha! The maid of whom I told you. (About to go.) KATISHA (detaining him) No! You shall not go, These arms shall thus enfold you! Song KATISHA (addressing Nanki-Poo) Oh fool, that fleest My hallowed joys! Oh blind, that seest No equipoise! Oh rash, that judgest From half, the whole! Oh base, that grudgest Love’s lightest dole! Thy heart unbind, Oh fool, oh blind! Give me my place, Oh rash, oh base! CHORUS If she’s thy bride, restore her place, Oh fool, oh blind, oh rash, oh base! KATISHA (addressing Yum-Yum) Pink cheek, that rulest Where wisdom serves! Bright eye, that foolest Heroic nerves! Rose lip, that scornest Lore-laden years! Smooth tongue, that warnest Who rightly hears! Thy doom is nigh, Pink cheek, bright eye! Thy knell is rung, Rose lip, smooth tongue! CHORUS If true her tale, thy knell is rung, Pink cheek, bright eye, rose lip, smooth tongue! PITTI-SING Away, nor prosecute your quest. From our intention, well expressed, You cannot turn us! The state of your connubial views Towards the person you accuse Does not concern us! For he’s going to marry Yum-Yum. ALL Yum-Yum! PITTI-SING Your anger pray bury, For all will be merry, I think you had better succumb... ALL Cumb, cumb! PITTI-SING And join our expressions of glee. On this subject I pray you be dumb. ALL Dumb, dumb. PITTI-SING You’ll find there are many Who’ll wed for a penny. The word for your guidance is ‘Mum’. ALL Mum, mum! PITTI-SING There’s lots of good fish in the sea! ALL On this subject we pray you be dumb, etc. Solo KATISHA The hour of gladness Is dead and gone; In silent sadness I live alone! The hope I cherished All lifeless lies, And all has perished Save love, which never dies! Oh, faithless one, this insult you shall rue! In vain for mercy on your knees you’ll sue. I’ll tear the mask from your disguising! NANKI-POO (aside) Now comes the blow! KATISHA Prepare yourselves for news surprising! NANKI-POO (aside) How foil my foe? KATISHA No minstrel he, despite bravado! YUM-YUM (aside, struck by an idea) Ha! ha! I know! KATISHA He is the son of your... NANKI-POO, YUM-YUM, CHORUS, (interrupting, sing Japanese words, to drown her voice.) O ni! bikkuri shakkuri to! KATISHA In vain you interrupt with this tornado! He is the only son of your... ALL O ni! bikkuri shakkuri to! KATISHA I’ll spoil ALL O ni! bikkuri shakkuri to! KATISHA Your gay gambado! He is the son... ALL O ni! bikkuri shakkuri to! KATISHA Of your... ALL O ni! bikkuri shakkuri to! KATISHA The son of your... ALL O ni! bikkuri shakkuri to! oval oya! Ensemble KATISHA Ye torrents roar! Ye tempests howl! Your wrath outpour With angry growl! Do ye your worst, my vengeance call Shall rise triumphant over all! Prepare for woe, Ye haughty lords, At once I go Mikado-wards, My wrongs with vengeance shall be be crowned! My wrongs with vengeance shall be be crowned! THE OTHERS We’ll hear no more, Ill-omened owl, To joy we soar, Despite your scowl! The echoes of our festival Shall rise triumphant over all! Away you go, Collect your hordes; Proclaim your woe In dismal chords; We do not heed their dismal sound, For joy reigns everywhere around. (Katisha rushes furiously up stage, clearing the crowd away right and left, finishing on steps at the back of stage.) Sullivan,Arthur/The Mikado/II-1
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http //swordofthefareast.com/ member Ayasa violin D･A･I guitar CD序章 DVDLive Rock !!!!!! version 1 CD 序章 September 7th 2011 1. 自由意思 ( Free Will ) / 2. ゴリアテ戦記 ( Goliath ) / 3. 長い雨 ( Long Rain ) / 4. 迎撃セヨ ( Dog Fight ) / 5. 最後のワルツを踊ろう ( Last Waltz ) / 6. 月が堕ちてきた夜 ( Moonlight Serenade ) / 7. 古い水夫の記憶 遥かなるシェラサード ( Old Memories ) / 8. Gypsy Girls DVD Live Rock !!!!!! version 1 July 25th 2012 1. G線上のアリア / 2. 自由意志 / 3. ゴリアテ戦記 / 4. Last waltz / 5. Mirage / 6. 町外れの広場にて / 7. Ryukyu Song / 8. ハスラー / 9. ゼウス最後の警告 / 10. 迎撃セヨ / 11. 古い水夫の記憶 / 12. Gypsy Girl / 13. Canon Rock 鈴木タケオ (ds)